Author Archives: Egg Syntax

Untitled flower scan, Katinka Matson

Untitled flower scan, Katinka Matson:

An untitled work by Katinka Matson, via John Brockman and EDGE.org. The artist’s site is here, and you can view a larger-size image here (fun to gaze at on an iPad, I think).

Update: Boing Boing reader Jennifer Forman Orth, Ph.D., who is an Invasive Plant Ecologist, says, “That’s actually a scan of the seedheads of a Clematis vine. So not a flower, not anymore – already pollinated and gone to fruit. But a small technicality for that beautiful image.”

Macoto Murayama’s incredible digital flower diagrams

Macoto Murayama’s incredible digital flower diagrams: Macotooooo

Macoto Murayama’s exquisite “Inorganic Herbarium” diagrams will be on display at Frantic Gallery’s booth in the Art Stage Singapore Art Fair next weekend, January 12-15. I first posted about his work back in 2009 and its evolution is nothing short of breathtaking.

Wp-Content Uploads 2012 01 Murayamamamamama

This time we present exclusively large scale Botanical Diagrams by Murayama with a vast explanatory material on both botanical and technical context of his digital flowers. We will also show how the artist creates his works, beginning from vivisection of a real flower, photography, sketches and then software for 3-Dimensional drawings. For the first time, the original flowers used for the Botanical Diagrams will also be shown inside transparent vessels filled with formaldehyde.

Macoto Murayama: Botanical Diagrams

Nathan Richard Phelps’s oil pen marvels

[Yum. -egg]

Nathan Richard Phelps’s oil pen marvels:

Site Home Files E61-Filtered

Tompkins Window

One evening this week, my wife and I were walking on Market Street in San Francisco when we were awestruck by the painting at left leaning in the window of the E6 Gallery. The artist, Nathan Richard Phelps, was inside hanging his work for a solo show opening this Friday. He must have noticed our stunned expressions because he opened the door to chat for a bit. A delightful guy, he explained that this huge (7 foot tall!) oil pen painting, titled “Tompkins Window,” was commissioned by a couple living in a Manhattan apartment. Makes sense, as the piece has an architectural/city planning vibe to it but also evokes memories of early computer drawing programs that, as my wife said, might run on a 1980s Atari. Several of Phelps’s paintings are in this angular style while others are all about organic curved forms in almost op art patterns. They are all marvelous.

Nathan Richard Phelps

E6 Gallery


Year-end mix 2011

[2011 mix from someone whose taste I really love and respect. -egg]

Year-end mix 2011:

Well, you probably thought I was never coming back, eh?

For awhile, I thought maybe I wouldn’t have the time to either, but then I told myself I’d set a hard limit on the amount of time I could spend working on a mix and end up finishing it in half that time. Working through the transitions in my head prior to sitting down at the computer helped a bit, and while it isn’t nearly as involved as the 2009 mix that I did, I feel pretty happy with how it turned out.

The artwork is at right, and you can download it by clicking on the artwork or this link right here.

Names of artists involved is on the artwork itself, but here’s the full tracklisting. It runs just over an hour, for those keeping track at home.

  • 00:00 | Colin Stetson – “A Dream Of Water” (from New History of Warfare Vol. 2: Judges)

  • 03:04 | Bill Callahan – “America!” (from Apocalypse)

  • 08:28 | The Drums – “Days” (from Portamento)

  • 12:53 | Panda Bear – “You Can Count On Me” (from Tomboy)

  • 15:20 | Sandro Perri – “Love & Light” (from Impossible Spaces)

  • 18:55 | Rustie – “Surph” (from Glass Swords)

  • 22:55 | Battles – “Wall Street” (from Gloss Drop)

  • 27:35 | Sepalcure – “Eternally Yrs” (from Sepalcure)

  • 32:20 | The Weeknd – “Initiation” (from Echoes of Silence)

  • 36:24 | Machinedrum – “U Don’t Survive” (from Room(s))

  • 41:00 | Robag Wruhme – “Pnom Gobal” (from Thora Vukk)

  • 46:15 | Andy Stott – “Posers” (from We Stay Together)

  • 50:52 | Tim Hecker – “In The Fog III” (from Ravedeath, 1972)

  • 54:52 | Leyland Kirby – “They Are All Dead, There Are No Skip At All” (from Eager to Tear Apart The Stars)

Now, I just need to get motivated to post some sort of year-end list in the next couple weeks. All of the artists featured above are on it (as well as some others). There’s a hint, I guess.

Fish mimics mimic octopus

Fish mimics mimic octopus:

This is a great find by Not Exactly Rocket Science‘s Ed Yong. A tourist and a couple of researchers from the California Academy of Sciences have documented an instance of Pacific-dwelling jawfish hiding from predators by blending into the stripes of well-known camouflage guru, the mimic octopus.

This relationship is probably a rare occurrence. The black-marble jawfish is found throughout the Pacific from Japan to Australia, while the mimic octopus only hangs around Indonesia and Malaysia. For most of its range, the jawfish has no octopuses to hide against. Instead, Ross and Rocha think that this particular fish is engaging in “opportunistic mimicry”, taking advantage of a rare chance to share in an octopus’s protection.

Video Link

Thanks, Atvaark!


Hamster-powered sub

[I’m so all about the investigation of post-animalism as science and art. See also one of my favorite artworks of all time, augmented beta fish. -egg]

Hamster-powered sub:

Two (unnamed?) Ocean Engineering students created a “hamster-powered submarine” from “materials derived from common household objects” that connected a hamster wheel in a sealed, air-supplied vessel to a propeller, allowing hamsters to take themselves on aquatic jaunts. They documented the build in some detail, and supplied a video of the maiden voyage. One of the design requirements was “the life and well being of the hamster must not be compromised in any way.”

HPS Hamstar: the Hamster Powered Submarine
(via DVICE)