Author Archives: Egg Syntax

3D printed exploratory spiders

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3D printed exploratory spiders

Fraunhofer’s 3D printed exploration spiders are intended for use “as an exploratory tool in environments that are too hazardous for humans, or too difficult to get to.” They use hydraulic bellows to execute advanced maneuvers, including jumping:

With its long extremities, the spider has a range of ways to get around. Some models can even jump. This is possible using hydraulically operated bellows drives that serve as joints and keep limbs mobile. With no muscles to stretch their legs, these creatures build up high levels of body pressure that they then use to pump fluid into their limbs. Shooting fluid into the legs extends them. “We took this mobility principle and applied it to our bionic, computer-controlled lightweight robot. Its eight legs and body are also fitted with elastic drive bellows that operate pneumatically to bend and extend its artificial limbs,” explains Dipl.-Ing. Ralf Becker, a scientist at IPA. The components required for locomotion, such as the control unit, valves and compressor pump, are located in the robot’s body; the body can also carry various measuring devices and sensors, depending on the application at hand. Hinges interoperate with the bellows drives so that the legs can move forward and turn as needed. Diagonally opposed members move simultaneously, too. Bending the front pairs of legs pulls the robotic spider’s body along, while stretching the rear extremities pushes it.

High-tech spider for hazardous missions

(via JWZ)


Magic Makes Time

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Magic Makes Time

The 9am El Salvadorian sun beat down like a drum. And here we were trying to move a two-ton mound of dirt with nothing but the most primitive tools.

In my hand was a shovel. The blade of the rusty, cracked spade bit down again and again. Every other scoop it would hit a rock, decelerate to zero, and send a jolt through its handle. I wanted nothing more than to sit in the shade and sip fresh green coconuts. But we had many more hours and days to go and the sun had hours more of rising to do. I kept reaching for a phone that was not there to distract me from the discomfort. In its place, I retreated into a day dream filled with air conditioners, coca cola in frosty bottles and orange creamsicles; dump trucks, caterpillars and back hoes of cold, scratched up metal. And the beach. Which I could get to quicker if only we had better tools. Better technology.

***

A month ago I boarded a plane from California to El Salvador. I was going to surf. But I was also going help build the region’s first high school through Surf For Life, a non profit that tucks surf vacations inside of charity work. Most of the rest of the gang came from my sleepy, foggy neighborhood, the Sunset, which is like a little secret beach town inside of San Francisco.

There’s Danny Hess, the gentle giant and former Ventura, California lifeguard who ended up pioneering the modern wooden surfboard. His wife Erin Kunkel, a photographer who took the better photos in this story. And Jay Nelson, an artist who is famous for his treehouses and fantasy techno-surf vehicles that evoke buckminster fuller’s dynocar and geodesic domes.*

I travelled with a bright blue duffel bag filled with gadgets donated for the school’s first computer lab: laptops from Lenovo, cameras from

Global Village Construction Set: Towards a DIY civilization

Global Village Construction Set: Towards a DIY civilization: 201111041038

Meara O’Reilly says:

Open Source Ecology is a network of farmers, engineers, and supporters building the Global Village Construction Set — a modular, DIY, low-cost, open source, high-performance platform that allows for the easy fabrication of the 50 different industrial machines that it takes to build a small, sustainable civilization with modern comforts.

They’ve launched a Kickstarter here.

The founder, Marcin Jakubowski, PhD, has a TED talk here.

Their extensive wiki has been facilitating global collaboration on the toolset. They have been 100% crowd funded for the last 4 years.

The aim of the GVCS is to lower the barriers to entry into farming, building, and manufacturing. Its a life-size lego set that could create entire economies, whether in rural Missouri, where the project was founded, or in the developing world.

Yes, they are crazy, idealistic, foolish, and headstrong. But they may succeed, and that would be really interesting.

Response to a FAQ: Its true, GVCS machines do rely heavily on mail order parts for the guts of the machines at present. This will transition into reliance on DIY parts after the full release of the Open Source Microfactory and the further development of the 3d parts library. The Open Source Microfactory is the portion of the GVCS that is just for making stuff, it will include: CNC Multimachine, CNC Circuit Mill/3d Printer, Induction Furnace, Ironworker, CNC Torch Table, Universal Welder, CNC Lasercutter, Hot Metal Roller.


Hylozoic Ground: art installation made of gossamer computers is like a huge lung

Hylozoic Ground: art installation made of gossamer computers is like a huge lung:

Hylozoic Ground, a Canadian art installation that was exhibited at the Venice Biennale, sounds like a really lovely, immersive environment. One warning: if you’re the sort of person who’s allergic to obscure, overwrought “artist’s statements,” the site may frustrate you — it took me about 50 clicks before I found a screen that actually stated, in simple text, what the installation was. Which is a pity, because it’s pretty cool and I can’t think of a single reason not to tell people about it. For your convenience, I’ve pasted it here for you:

Tens of thousands of lightweight digitally-fabricated components are fitted with microprocessors and proximity sensors that react to human presence. This responsive environment functions like a giant lung that breathes in and out around its occupants. Arrays of touch sensors and shape-memory alloy actuators (a type of non-motorized kinetic mechanism) create waves of empathic motion, luring visitors into the eerie shimmering depths of a mythical landscape, a fragile forest of light.

Hylozoic Ground

(Thanks, Dad!)


What Kind of Buddhist was Steve Jobs, Really?

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What Kind of Buddhist was Steve Jobs, Really?


Kobun Chino Otogawa, Steve Jobs’ Zen teacher. Courtesy kobun-sama.org.

At PLOS, Steve Silberman goes in depth into the influence that Steve’s Buddhist teachers had on Apple’s mission and its products.

“I found myself in a unique position to write it, since I knew Jobs’ teacher Kobun Chino, and studied at Zen Center around the same time that Steve did,” Silberman tells Boing Boing. “I include a quote from a never-published interview with Steve at the end.”

As a young seeker in the ’70s, Jobs didn’t just dabble in Zen, appropriating its elliptical aesthetic as a kind of exotic cologne. He turns out to have been a serious, diligent practitioner who undertook lengthy meditation retreats at Tassajara — the first Zen monastery in America, located at the end of a twisting dirt road in the mountains above Carmel — spending weeks on end “facing the wall,” as Zen students say, to observe the activity of his own mind.

Why would a former phone phreak who perseverated over the design of motherboards be interested in doing that? Using the mind to watch the mind, and ultimately to change how the mind works, is known in cognitive psychology as metacognition. Beneath the poetic cultural trappings of Buddhism, what intensive meditation offers to long-term practitioners is a kind of metacognitive hack of the human operating system (a metaphor that probably crossed Jobs’ mind at some point.) Sitting zazen offered Jobs a practical technique for upgrading the motherboard in his head.

Read the full article here.


OWS: the sand-sculpture/Day of the Dead edition

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OWS: the sand-sculpture/Day of the Dead edition

Carl Jara writes, “Calavera del Toro: Gold Medal sand sculpture by Carl Jara, depicts Occupy Wall Street in a Day of the Dead satire. Created last weekend at Sand Castle Days in South Padre Island, Texas. A banker and a politician sit comfortably toasting their overflowing champagne flutes to the skull of their recently slain Wall Street bull, draped in a Golden Parachute.”

Calavera del Toro

(Thanks, Carl!)