Sierra Club magazine list of “Earth’s Weirdest Landscapes” – Boing Boing

Sierra Magazine posted their picks of “Earth’s Weirdest Landscapes.” Some I was familiar with, like the Fly Geyser in Nevada’s Black Rock Desert, California’s Mono Lake, and Hawaii’s Kilauea volcano. But others are new-to-me strange spots that I would be delighted to explore. For example, above is Lake Hillier in Western Australia’s Recherche Archipelago. Yes, it really is pink. According too Sierra, “some believe (the hue) comes from a dye produced by two microorganisms called Halobacteria and Dunaliella salina, while others suspect the red halophilic bacteria that thrive in the lake’s salt deposits.” Earth’s Weirdest Landscapes (Thanks, Orli Cotel!)

via Sierra Club magazine list of “Earth’s Weirdest Landscapes” – Boing Boing.

Screenshots of Despair: computers making humans sad – Boing Boing

Screenshots of Despair: a Tumblr that features shots of computers interacting with humans in ways that seem calculated to make them sad and angry. As Bruce Sterling notes, “Somebody could teach a pretty good interaction-design course with this handy resource. Maybe somebody already is.”

Screenshots of Despair (via Beyond the Beyond)

via Screenshots of Despair: computers making humans sad – Boing Boing.

Venus of Google

Venus of Google – Matthew Plummer-Fernandez

“The Venus of Google was ‘found’ via a Google search-by-image, googling a photograph taken of an object I had been handed over in a game of exquisite corpse. The Google search returned visually similar results, one of these being an image of a woman modelling a body-wrap garment. I then used a similar algorithmic image-comparison technique to drive the automated design of a 3D printable object. The ‘Hill-Climbing’ algorithm starts with a plain box shape and tries thousands of random transformations and comparisons between the shape and the image, eventually mutating towards a form resembling the found image in both shape and colour.”

Venus of Google, 2013

From the Long Tail Multiplier Series/ Algorithm27.2 x 14.9 x 8.0 cmz-corp powder 3D Print

via #algopop.

Seed Companies Control GM Crop Research

Advances in agricultural technology—including, but not limited to, the genetic modification of food crops—have made fields more productive than ever. Farmers grow more crops and feed more people using less land. They are able to use fewer pesticides and to reduce the amount of tilling that leads to erosion. And within the next two years, agritech com­panies plan to introduce advanced crops that are designed to survive heat waves and droughts, resilient characteristics that will become increasingly important in a world marked by a changing climate.Unfortunately, it is impossible to verify that genetically modified crops perform as advertised. That is because agritech companies have given themselves veto power over the work of independent researchers.To purchase genetically modified seeds, a customer must sign an agreement that limits what can be done with them. If you have installed software recently, you will recognize the concept of the end-user agreement. Agreements are considered necessary to protect a company’s intellectual property, and they justifiably preclude the replication of the genetic enhancements that make the seeds unique. But agritech companies such as Monsanto, Pioneer and Syngenta go further. For a decade their user agreements have explicitly forbidden the use of the seeds for any independent research. Under the threat of litigation, scientists cannot test a seed to explore the different conditions under which it thrives or fails. They cannot compare seeds from one company against those from another company. And perhaps most important, they cannot examine whether the genetically modified crops lead to unintended environmental side effects.Research on genetically modified seeds is still published, of course. But only studies that the seed companies have approved ever see the light of a peer-reviewed journal. In a number of cases, experiments that had the implicit go-ahead from the seed company were later blocked from publication because the results were not flattering. “It is important to understand that it is not always simply a matter of blanket denial of all research requests, which is bad enough,” wrote Elson J. Shields, an entomologist at Cornell University, in a letter to an official at the Environmental Protection Agency the body tasked with regulating the environmental consequences of genetically modified crops, “but selective denials and permissions based on industry perceptions of how ‘friendly’ or ‘hostile’ a particular scientist may be toward [seed-enhancement] technology.”

via Do Seed Companies Control GM Crop Research?: Scientific American.

The Killer Mobile Device for Victorian Women | Collectors Weekly

[I’m totally down for a chatelaine revival. Anyone? -egg]

Adrift in a sea of digital apps for every imaginable function, we often feel our needs are met better today than in any previous era. But consider the chatelaine, a device popularized in the 18th century that attached to the waist of a woman’s dress, bearing tiny useful accessories, from notebooks to knives. In many ways chatelaines provided better access to such objects than we have today: How often have you searched for your keys or cell phone at the bottom of a cavernous bag?

via The Killer Mobile Device for Victorian Women | Collectors Weekly.

New Hyperrealistic Sculptures by Ron Mueck | Colossal

[There’s a video too, which I haven’t seen before with him. -egg]

Hyperrealist sculptor Ron Mueck works in the realm of the ultra-real where he spends hundreds of hours perfecting the shape of the human form, the appropriate color of skin, and the most realistic hair texture. All of his efforts culminate in incredibly lifelike figurative sculptures with one small (or large) exception: the artworks are often gigantic or miniaturized, resulting in an uncomfortable “does not compute” moment when trying to comprehend exactly what you’re looking at. Each sculpted person is as bizarre as it is amazing, in part because of the raw intimacy portrayed in their faces, as if we are somehow witnessing the documentation of a private moment.

via New Hyperrealistic Sculptures by Ron Mueck | Colossal.