A couple of other excellent books

I just posted about The Dagger and the Coin, but I realized I should do a find on my books directory to see what else I’ve read lately:

  • Cory Doctorow’s Walkaway was awesome, probably my favorite thing he’s written in a decade or so.
  • I may have already posted about Jo Walton’s Among Others, a sort of magical magical realist novel, but just in case I haven’t: it’s a wonderful read, especially for anyone who grew up on science fiction.
  • Jeff VanderMeer’s Southern Reach Trilogy was spectacular, the best experimental fantastic fiction I’ve read in years. I had trouble clicking with his new one, Borne, though. I’ll certainly give it another try at some point.
  • I’ve just started Yoon Ha Lee’s Ninefox Gambit; so far it’s a dense, imaginative tilt-a-whirl of a book.

Good recent books

Just finished Daniel Abraham’s series, The Dagger and the Coin. Excellent stuff from the author of The Long Price Quartet. Both have excellent world-building; it’s fantasy that owes almost nothing to Tolkien, which is always refreshing. This one’s particularly fascinating, because it looks at the effects of economic innovation in a largely pre-technological world (very roughly medieval-era). Recommended.

Some good books I’ve recently read

(all sci fi)

Robert Charles Wilson: Spin. https://www.goodreads.com/book/show/910863.Spin

Geoff Ryman: Air: Or, Have Not Have. https://www.goodreads.com/book/show/206662.Air

Karl Schroeder, Lady of Mazes. https://www.goodreads.com/book/show/34009.Lady_of_Mazes

All three of those are absolutely terrific, and came from this wonderful 2013 article by Jo Walton: “Eight Books From the Last Decade That Made Me Excited About SF“. Every book on that list that I’ve read has been top-notch. It’s the best sci fi reading list I’ve encountered in a very long time, and I’m having a lot of fun working my way through it. She’s done a similar one for fantasy, too, which started me rereading Daniel Abraham’s Long Price Quartet, which is great in a totally different way.

Political linkdump

I’ve been absorbing info faster than I can share it, as Trump engages in some sort of political version of the Gish Gallop, doing crazy shit faster than anyone can even comprehend it. Here’s a linkdump of some political writing I’ve found interesting or insightful in the last week. I’ve tried to order them roughly such that the most interesting are at the top. Fortunately, for most of them the URL gives a decent idea of what they’re about. Unfortunately, I know I’m missing a bunch that I meant to post ;P
 
https://www.bloomberg.com/view/articles/2017-01-23/why-trump-s-staff-is-lying
 
https://www.thenation.com/article/trumps-crony-cabinet-is-full-of-scared-losers/
 
https://www.washingtonpost.com/politics/behind-closed-doors-republican-lawmakers-fret-about-how-to-repeal-obamacare/2017/01/27/deabdafa-e491-11e6-a547-5fb9411d332c_story.html
 
http://www.nybooks.com/daily/2017/01/18/threat-of-moral-authority-john-lewis-trump/
 
https://www.nytimes.com/2017/01/28/us/politics/donald-trump-truth.html
 
https://www.nytimes.com/2017/01/26/opinion/i-think-islam-hates-us.html
 
http://www.newyorker.com/news/news-desk/trumps-vainglorious-affront-to-the-c-i-a
 
https://www.nytimes.com/2017/01/25/us/trumps-presidency-upends-familiar-story-lines.html
 
https://www.theguardian.com/commentisfree/2017/jan/25/trump-lies-dangers-russia-weather-president
 
https://www.nytimes.com/2017/01/25/us/politics/donald-trump-presidency.html
 
https://www.nytimes.com/2017/01/27/world/americas/nikki-haley-united-nations.html
 
https://www.nytimes.com/2017/01/28/opinion/sunday/wild-child-takes-charge.html

The Women’s March and the Judean People’s Front: After Occupy, after trumpism, a new networked politics / Boing Boing

Networks solve coordination costs. The cost of discovering a radical group has never been lower: combine search engines with anonymity tools with social media, and you have a way for people with extremely high-risk beliefs to discover one another, refine their views, attract more followers, and work together for their common aims. This is the force that gave rise to the pro-democratic “color revolutions,” the Arab Spring movements; the Occupy Movement and Anonymous — but also neofascist/hyper-nationalist movements; Al Qaeda; troll armies; and darknet pedophile rings.

Lowering coordination costs confers a disproportionate benefit to radical and fringe groups, and has a much less significant effect on mainstream activities. That’s because being in the mainstream means that you’ve already solved your coordination costs. When I was an anti-nuclear proliferation activist in Toronto in the 1980s, 98% of my job was figuring out how to pay for stamps, then address envelopes, then put the stamps on the envelopes — the remaining 2% was the time I had left over to figure out what to print on the things I put inside the envelopes. By contrast, the share of resources used for coordination by organizations agitating for more nuclear weapons (NATO, NORAD, arms dealers) was a rounding error — a line-item just below the coffee-and-doughnuts budget.

When you make coordination costs lower, the people whose work is most constrained by coordination costs get the biggest benefit. Thus the era of networked politics has seen profound shift and significant achievements for political fringes. In the 2000s, the Smart Mobs took to the streets — as in 2001, when the Philippines’ People Power revolution used SMS-coordinated demonstrations to topple Joseph Estrada’s corrupt regime.

[…]

But netroots movements have always been better at tearing down than building up. Popular Power got rid of Estrada, but didn’t create the kind of lasting institutions that reformed the Philippines government — that’s why today the country is governed by a terrifying psychopath. Obama used the netroots to overcome the Bush legacy, but hit pause on the grubby street-level activists on day one in favor of a horse-trading, Chicago-Machine-style establishment politics where everything moved into the smoke-filled back rooms — and was fatally undermined by the Tea Party, a right-wing netroots movement (with mainstream financial backing, of course) that was nearly as effective at opposing Obama as Obama’s netroots had been at mobilizing against Bush. In Egypt, the netroots kicked out Mubarak — something the traditionally organized opposition failed to do in 30 years — but the country turned around and promptly elected an intolerant, authoritarian Islamist government that was then toppled in a military coup, leaving the country governed by murderers and torturers who are no more accountable than Mubarak was for his 30 year run.

Occupy was an attempt to force Obama to govern from the netroots, and it went further than anyone could have imagined, but it did not push Obama to the left; nor did it create an alternative power structure that was powerful enough to overturn the Democratic establishment (yet) or win the 2016 elections.

Which brings me to Donald Trump, and the Women’s March…

Source: The Women’s March and the Judean People’s Front: After Occupy, after trumpism, a new networked politics / Boing Boing

“THE LONG NOW”

[This is a pretty fun art installation. I suggest watching the video before you read anything about it, if you’re up for it. -egg]

Some more info at neural.it/2017/01/the-long-now-transitional-soap-bubbles/

 

 

Hyperrealistic Oil Paintings of Vivid Chrome Masks by Kip Omolade

[Hyperrealistic painting tends to be pretty hit or miss for me (even in person), and his choice of palette isn’t one I’m typically into, but these are just gorgeous. -egg]

Brooklyn-based artist Kip Omolade creates large-scale oil paintings of chrome masks, depicting not only the subtle details of female faces, but incorporating the reflected environment of each piece. The series, entitled Diovadiova Chrome, makes reference in part to historical African sculptures, while exploring contemporary aspects of identity, luxury, and immortality. Each piece begins as a mold and cast taken from an actual model which is then utilized as source material for Omolade’s towering paintings which can measure several feet tall.

Diovadiova Chrome portraits historically connect to ancient, realistic African sculptures such as Benin ivory masks and Ife bronze heads,” shares Omolade in his artist statement. “The oil paintings are psychological studies that investigate immortality, the universal masks we all wear and contemporary notions of beauty and luxury. The labor-intensive process involves making a mold and cast of each model’s face, reworking the cast plaster sculpture, producing a version in resin and adding a chrome layer with artificial eyelashes. The final sculpture then serves as a model for the hyper-realistic oil painting. This technique maintains the likeness qualities of portraiture while re-presenting a mask that serves as a conduit between the spiritual and natural world.”

The term Omolade uses to describe the series, Diovadiova, is a word he derived from a combination of the Italian word “Dio” meaning god, and the historical meaning of the word “diva” which is goddess.

Omolade first began his art career working as a graffiti artist while interning at Marvel Comics and The Center for African Art and went on to earn a BFA from the School of Visual Arts. His work was most recently included in the Re:Semblance exhibition at the Redbull House of Art in Detroit and last year’s FREAK OUT! show at Zhou B Art Center. You can follow more of his work on Instagram. (via Creator’s Project)

Source: Hyperrealistic Oil Paintings of Vivid Chrome Masks by Kip Omolade