Author Archives: Egg Syntax

The best scientific theories (that later turned out to be wrong)

The best scientific theories (that later turned out to be wrong): “4039789138_82035be33f_z.jpg

Science can contradict itself. And that’s OK. It’s a fundamental part of how research works. But from what I’ve seen, it’s also one of the hardest parts for the general public to understand. When an old theory dies, it’s not because scientists have lied to us and can’t be trusted. In fact, exactly the opposite. Those little deaths are casualties of the process of fumbling our way towards Truth*.

Of course, even after the pulse has stopped, the dead can be pretty interesting. Granted, I’m biased. I like dead things enough to have earned a university degree in the sort of anthropology that revolves around exactly that. But I’m not alone. A recent article at the Edge Foundation website asked a broad swath of scientists and thinkers to name their favorite long-held theory, which later turned out to be dead wrong. The responses turn up all sorts of fascinating mistakes of science history—from the supposed stupidity of birds, to the idea that certain, separate parts of the brain controlled nothing but motor and visual skills.

One of my favorites: The idea that complex, urban societies didn’t exist in Pre-Columbian Costa Rica, and other areas south of the Maya heartland. In reality, the cities were always there. I took you on a tour of one last January. It’s just that the people who lived there built with wood and thatch, rather than stone. The bulk of the structures decayed over time, and what was left was easy to miss, if you were narrowly focused on looking for giant pyramids.

What’s your favorite dead theory?

The Edge: Wrong Scientific Beliefs That Were Held for Long Periods of Time

*Likewise, just because some ideas have turned out to be wrong doesn’t mean it’s safe to assume all the scientific truths we hold today will be disproved somewhere down the line.

We’ve spent several hundred years now carefully collecting data about our lives, our planet, and the wider Universe. But we don’t have all the information. Sometimes, new research comes in and confirms our previous picture of reality, and sometimes it doesn’t. It’s not random. It’s often easy to see how facts are stacking up and get a good idea of likely reality even when you don’t yet have all the pieces perfectly in place. But the point is: You can’t generalize.

Image: The cover of Laurie Anderson’s 1982 album Big Science, as photographed by kevindooley. Some rights reserved.


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Glass globe doorknob is a whole-room fisheye for the other side of the door

Glass globe doorknob is a whole-room fisheye for the other side of the door: “

Hideyuki Nakayama’s glass globe doorknob refracts the scene on the other side of the door in its depths, giving you a preview of what’s going on in the next room before you turn the knob.

A Room in the Glass Globe by Hideyuki Nakayama

(via Make!)


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Dancing with Invisible Light: portraits shot with Kinect’s infrared structured light

Dancing with Invisible Light: portraits shot with Kinect’s infrared structured light: “5197397707_fd7694356a_o.jpg

Shown here, images from Audrey Penven‘s photography series ‘Dancing with Invisible Light: A series of interactions with Kinect’s infrared structured light.’ From her description of the project:


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With these images I was exploring the unique photographic possibilities presented by using a Microsoft Kinect as a light source. The Kinect – an inexpensive videogame peripheral – projects a pattern of infrared dots known as ‘structured light‘. Invisible to the eye, this pattern can be captured using an infrared camera.

The Kinect uses the deformation of this dot pattern to derive 3D information about its subjects (an ability which has already spawned an explosion of incredible digital art).

As a photographer I am most interested in the nature and quality of light: how light behaves in the physical world, and how it interacts with and affects the subjects that it illuminates. For this shoot my models and I were essentially working blind, with the results visible only after each image was captured. Together, we explored the unique physicality of structured light, finding our way in the darkness by touch and intuition. Dancing with invisible light.

View the full set here (prude alert: contains both portraits and nudes). To purchase a print, contact the photographer at audrey.penven@gmail.com: 11×14 for $60, 16 x 20 for $120.

Dig the crazy lens flares the Kinect light creates in the shot below!


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Related coolness at openkinect.org.

Credits:

Models: qtrnevermore, C. King, Mike Estee, Sloane Soleil, Helyx, Star St. Germain, Ian Baker, Annetta Black, Josh St. John.

Assistants: Aaron Muszalski, Ian Baker, Mike Estee

An earlier photo set is also online here.

(Thanks, sfslim!)


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HOWTO make art without getting "ripped off" online

HOWTO make art without getting “ripped off” online: “Artist Gwenn Seemel’s post, ‘How I make sure my art doesn’t get ripped off on the Internet’ is a wonderfully calm, sensible and practical approach to living as a 21st century artist in an age where reproduction is a given. Seemel starts from six simple points:

1) Be original.

I aim to make art so original that no one will question who made it.

2) Sell only live art.

I’ve given up on the idea that art in reproduction is for sale and I focus on making work that is better in person than in reproduction.

3) Pursue credit in innovative ways.

No one has ever claimed a reproduction of my work as their own, but when I’ve known about images of my work being used without any mention of my name I’ve approached the situation as a teaching opportunity or used it as an illustrative point.

4) Embrace the copying of style.

Lots of people make originals that resemble mine somewhat, and it makes me feel pretty good about my work.

5) Don’t assume that anyone is copying style.

It’s usually pretty difficult to be sure that anyone is copying anyone else. That said, if another artist was making and selling works that I was certain were copies of my paintings, I would probably talk about them on my blog. It would drive Internet traffic looking for them to me.

6) Be clear about what you want from the world and from the Internet.

I make sure everyone knows where I stand with regards to copyright. At the bottom of every page of my site, there’s a smiley face instead of a ©. Click on the face and it takes you to a page that fully explains my beliefs.

Seemel then goes on to explain these steps in detail, talking about her mindset as she approaches the net, her public, other artists, her customers and her work, and how this approach makes it possible for her to get paid, get along, and be happy and artistically fulfilled: ‘Everything from screaming about your intellectual property rights and threatening lawyers to shrink-wrapping your images online and making them not right-click-able is just burying your head in the sand. An open source world is the one we’ve always lived in: it’s the one we built.’

How I make sure my art doesn’t get ripped off on the Internet

(via David Isenberg)


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Effervescent Brain Salt

[E.W. Grove’s Tasteless Chill Tonic has just been thoroughly trumped. -egg]

Effervescent Brain Salt: “
The best thing about effervescent brain salt is that it’s not immediately clear whether it’s salt to make effervescent brains even more delicious, or salt to give you an effervescent brain, or effervescent salt for brains. Also, it appears to come in a Tabasco bottle, and EVERYTHING THAT COMES IN A TABASCO BOTTLE IS ALWAYS AWESOME.

Effervescent Brain Salt


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Just look at this awesome laser-cut banana.

Just look at this awesome laser-cut banana.: “

Just look at it.

Banana mania – Repper experimentation

(Thanks, Walter!)


Previously:


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ReBirth Synthesizer for iPad

[Schweet. -egg]

ReBirth Synthesizer for iPad: “

ReBirth for iPad

is a $15 multitouch synthesizer that emulates the Roland TB-303 Bass synth and the Roland TR-808 and 909 drum machines. You can create music on it and output the songs as MP3s.

Combine these with FX units, fully featured pattern sequencers and a gorgeous-looking interface and you’re ready to make killer tracks on your iPad. Share your music with friends on Facebook, Twitter and more using the built in sharing features.

Synth fans rejoice: ReBirth for iPad now available


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Science fictional music video set in near-future Indian city

Science fictional music video set in near-future Indian city: “

Alan sez, ‘I love this video, done by Sean Wainsteim for You Say Party’s‘Lonely Lunch.’ It looks like a standard science fiction mini-story, but set in the crowded streets and alleys of an early-21st century Indian city such as Mumbai.’

What he said — not my kind of music particularly, but boy, those are definitely my kind of visuals. Thronged Asian city stalked by high-tech plague doctor swat teams? Yes please.

YOU SAY PARTY ‘Lonely’s Lunch’ [OFFICIAL VIDEO]

(Thanks, Alan!)


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