Author Archives: Egg Syntax

Liar, Liar, Sheep on Fire

Liar, Liar, Sheep on Fire: “4797488117_d0b7fbf989_z.jpeg

Photo: Prasad Kholkute

Firesheep should freak you out, at least for a moment. It’s a Firefox extension that lets any normal human being–I’m not talking about you, BoingBoing readers–install the add-on and then steal the active sessions of people using unencrypted browsing sessions with popular online services on the same Wi-Fi network. This involves no Wi-Fi foolery, because the necessary network traffic is openly available.

Walk into any busy coffeeshop, fire up the ‘sheep, and a list of potential identities to assume at any of two dozen popular sites appears. Double-click, and you snarf their identifying token, and log in to the site in question as that person.

Firesheep is a business-model tour de force, not a zero-day technical one. It’s a proof of concept that repackages and expands on earlier security research to expose a failure in the risk profile adopted by Web sites on behalf of their unsuspecting users. There’s no money to be made by a Web site in fixing this problem for its customers or readers. Thus, only a security-conscious CIO might be able to push through the budget item necessary to bump the back-end systems up to the level needed.

Firesheep is a public relations exploit, too; it’s so easy to use and to demonstrate that it shot round the world. Previous demonstrations spread the word in the tech community, and a little beyond. Firesheep is telegenic.

The add-on is the latest effort to lay bare a well-known problem in how major (and minor) Web sites identify users after login. Even if you log in using a secure SSL/TLS connection, a reliable method of end-to-end encryption, many sites still hand you back to plain old HTTP. In the process, sites brand you with a token that stands in for the login process you completed. This is a separate issue from involuntary ad tracking or the undeletable evercookie. (BoingBoing is a practitioner of tokens for both commenting and the Submitterator, which arguably means that someone could post nonsense under your name from a coffeeshop, but don’t do that already?)

Because the open Web is stateless, a sequence of pages viewed by the same browser might as well be pages viewed by entirely different browsers. A login token placed in a cookie glues a binding on the edge of those pages, creating a session. The token doesn’t let a third party sniff your user name or password, but it does let a browser lay claim to your identity for a set period of time. (HTTP does have a stateful account-based authentication system, but it has weak cryptographic elements, and browsers have unchangeable interface elements for handling failed logins, lost passwords, or add-ons, like a CAPTCHA.)

The developer of Firesheep, Eric Butler, traces the understanding back to 2004, but 2007 is when knowledge went over the top. Robert Graham of Errata Security coined the term in 2007 in a Black Hat presentation. He created a proof-of-concept not much different in intent or function than Firesheep, but without the click-to-install simplicity, the long list of sites to snarf, and browser integration.

Of the large firms with this flaw, I’d argue that Google took this most seriously. In the intervening three years, Google has been layering SSL/TLS on ever more of its services. Gmail even added an option to kill other sessions. (Scroll to the bottom of the Gmail screen, and click Details at the end of the ‘last account activity’ line to view the option.)

Many other sites have let the problem remain, though, beefing up security through the sop of offering secure logins, as noted above. It’s quite rare to find any major site allowing an unencrypted login, which is a big improvement over a few years ago. Firesheep comes with 26 prefabricated sidejacking tools for sites like Facebook, Amazon, and bit.ly. Amazon and other sites that have a mix of plain HTTP and SSL/TLS-protected pages require re-authentication and SSL/TLS when you move into making a purchase, canceling an order, or other account-based activities. But you can place a 1-Click order without logging in again.

Less-visited sites in the millions have this sheepish problem, and some use identical software (and thus token names in the browser) making a mass-exploit via a Firesheep update the work of minutes. But it’s far less likely a random coffeeshop ne’er-do-well would sidejack such a session, or get anything out of it.

The remaining question is, of course, what can you do to prevent your credentials from making you go baaaaaaaaaa? Lots.

* Firefox users should install HTTPS Everywhere, a joint effort of The Tor Project and the Electronic Frontier Foundation. This forces SSL/TLS connections for sites that offer, but don’t require, continuous secured browsing, including content sites like the New York Times and Wikipedia. You can use the Tools > Add-Ons option to disable specific sites if you have trouble.

* Engage in no unsecured Web logins when working on an untrusted network, public or otherwise. This is my primary approach after HTTPS Everywhere. It’s easier than it sounds. If I can’t use SSL/TLS through a session, I don’t do it unless I use a VPN (see below).

* Secure all the services you use. Most email hosts offers SSL/TLS protected POP, IMAP, and SMTP sessions. FTP is absolutely in the clear; use SFTP (an SSH-based variant) or FTPS (FTP with SSL/TLS encryption). Check the box for SSL/TLS anywhere it’s available. Twitter’s API for third-party clients defaults to unprotected transactions; Echofon, at least, has a ‘use SSL’ box I check.

* Use a VPN. A virtual private network connection creates an encrypted tunnel for all your data between your computer or mobile and a server somewhere else on the Internet. That’s typically more than enough to protect you from sniffing on the local link. I’ve used WiTopia for years, which is a fee-based service offering PPTP and SSL VPN connections. AnchorFree offers Hotspot Shield at no cost.

* Instead of a VPN, set up an SSL/TLS Web proxy through which all your browsing is rerouted. That also protects the local link, and can be easier if you have a server elsewhere that you can set this up, or use a paid service.

Eric Butler has complementary advice in a post on his site about the day after releasing Firesheep that he wrote with co-presenter Ian Gallgher. Read that for more on what does not work, too.

Firesheep is named after the famous Wall of Sheep at Defcon, which displays selected details of unencrypted logins and other sessions over the event’s Wi-Fi network from people who, by attending Defcon, should know better than to ever send anything unencrypted over a public Wi-Fi network. If Firesheep succeeds, the whole world becomes a Wall of Shame, with the shame reflecting on the sites that haven’t updated their costs and systems to reflect the current reality of basic security when their users surf in public.

Glenn Fleishman contributes continuously to the Economist’s Babbage blog, and is a senior editor at the Mac journal TidBITS.


Remarkable unicycle riding (video)

[Kinda hot backing track, too. -egg]

Remarkable unicycle riding (video): “

Video link. This footage prepared for the North American Unicycling Championships and Convention contains some pretty unbelievable footage, including jumping over a picnic table, up a flight of 7 stairs in one hop, and the you-gotta-see-it-to believe-it ‘maxwhip.’ Also some amazing Kris Holm vids here and here.


Robotic hand attains sensitivity and strength with coffee grounds and balloons

Robotic hand attains sensitivity and strength with coffee grounds and balloons: “Here’s a fascinating report from the Proceedings of the National Academy of Sciences on a novel kind of robotic gripper that uses balloons and coffee grounds to attain strong, sensitive grips:



Here we demonstrate a completely different approach to a universal gripper. Individual fingers are replaced by a single mass of granular material that, when pressed onto a target object, flows around it and conforms to its shape. Upon application of a vacuum the granular material contracts and hardens quickly to pinch and hold the object without requiring sensory feedback. We find that volume changes of less than 0.5% suffice to grip objects reliably and hold them with forces exceeding many times their weight. We show that the operating principle is the ability of granular materials to transition between an unjammed, deformable state and a jammed state with solid-like rigidity. We delineate three separate mechanisms, friction, suction, and interlocking, that contribute to the gripping force. Using a simple model we relate each of them to the mechanical strength of the jammed state. This advance opens up new possibilities for the design of simple, yet highly adaptive systems that excel at fast gripping of complex objects.

Universal robotic gripper based on the jamming of granular material

(via IO9)

(Image: Turkish Coffee grounds – degustation – Ottoman Cuisine, a Creative Commons Attribution Share-Alike (2.0) image from avlxyz’s photostream)


Self-abusing kinetic sculpture

Self-abusing kinetic sculpture: “

Nemo Gould’s kinetic sculpture, ‘Nowhere Fast,’ is a moving meditation on self abuse: ‘Not the intentional kind mind you, but the unwitting variety. Our poor hero pedals diligently at his machine to get away from the persistent clubbing on his head, while all he needs to do for relief is to stop pedaling.’

Nowhere Fast 2009 (72′ x 72′ x 26′)

(via Super Punch)


LIFE magazine on "LSD Art," 1966

LIFE magazine on “LSD Art,” 1966: “ Images  Images Lsdart

 Images  Images Lsdartttttt

From the LIFE magazine September 9, 1966 cover story about psychedelic art:

‘Amid throbbing lights, dizzying designs, swirling smells, swelling sounds, the world of art is ‘turning on.’ It is getting hooked on psychedelic art, the latest, liveliest movement to seethe up from the underground.’

More LIFE images from that story and the 1960s psychedelic culture


Chris Berens new dreamlike paintings on photo paper

Chris Berens new dreamlike paintings on photo paper: “  Ieageb5Umeq Tlisohhig9I Aaaaaaaaeia Oszqxxyiqku S1600 Microcosmos

Amsterdam painter Chris Berens has a show of new work opening today at Seattle’s Roq La Rue Gallery. Above, ‘Microcosmos,’ (mixed media on panel, 20′ x 20′). Below, ‘Leap’ (mixed media on panel, 18′ x 18′). Berens’s dreamy images have a decidedly Photoshop feel, but they are not digital. (I can tell by the paint drops?) Indeed, he prefers ink on photo paper to oil on canvas. All of the work is also viewable online. From Roq La Rue:


  Ieageb5Umeq Tlsvcn-Ihii Aaaaaaaaegy Ttrnr8Tkebg S1600 Leap
His work features a fantastical mélange of exotic creatures and 18th century imagery, floating in buttermilk colored clouds, lush verdant countrysides, or silvery sea blues. Photo realistic, totem-like animals and distorted childlike people float like dreams through blurry surrealistic European city scapes or drift on stormy seas on decrepit ships in a soft focus haze, shimmering as if in a fevered dream. It is almost shocking to look at, but in the gentlest of ways.
Beyond the wondrous imagery there is another startling and unusual aspect to Chris’ work, in which the smooth, translucent look of the his medium of choice (all works are created with drawing ink, bistre, graphite, parquet lacquer, alkyd coating varnish on inkjet photo paper that is then mounted on wooden panels and adhered with bookbinder’s glue) is contrasted with fact that the paintings are patch-worked together, in pieces ranging from 1 to 3 inches across. Each section has been been painted numerous times and layered over each other and each segment flows seamlessly into each other, creating a cohesive image…

This new series of works, entitled ‘Leeuwenhart’ (‘Lion Heart’) take a turn from his last body of work which depicted icicle-like skyscrapers and NY cityscapes that sparkled like diamonds, to more of a lush, fairytale world of forests, rolling green hills, and ancient looking villages. And while the usual assortment of magical animal spirits show up in all the works, another character makes an appearance, Chris’ new daughter Emma Leeuwenhart Berens.

Chris Berens ‘Leeuwenhart’


10.3.10: Metal Opera

[From David Byrne’s blog]

10.3.10: Metal Opera: “

The other day I stumbled across some photos of the late
Ronnie James Dio’s LA home, which is for sale. If you wondered what kind of place a metal God lived in, well, here’s your
answer.

10_03_2010_a

10_03_2010_b

The Teutonic touches, like the beer stein collection and the gothic windows, made me think of other Gods: the characters in the Wagner Ring
cycle that has just recently begun a run here in NY.
That production uses a high-tech set and video projections to evoke the Rhine
maidens swimming across the stage and other events in the story.

So, I wondered to myself, wouldn’t this be a natural fit?
Dio already lived in a kind of Valhalla, and the imagery and themes of metal
bands often deals with death, destruction, and demons, so metal bands have those
elements in common with the Wagner epic as well. Why not do a Ring cycle (or
maybe an abbreviated version as the whole thing runs 15 hours) with the music
played by metal musicians and sung by them too? The sets would be like Dio’s
house, a home fit for the Gods, and there could be spectacular live performance
scenes, which some bands already stage as myth-laden rituals. Here’s a live
shot of a Rob Zombie concert:


10_03_2010_c

And the Gods, assembled:

10_03_2010_d

Other metal genres are less ghoulish in their themes and
imagery, but are no less appropriate to this concept. Here is the band SUNN O))), an exemplar of doom and drone
metal, along with other bands like Earth.

10_03_2010_e

While still others are blatant in their Norse, Viking and
Teutonic themes, this Swedish band sings about Valhalla and about having Odin
on their side:

10_03_2010_f

Rammstein, a band composed of
former East Germans, is known for shows featuring amazing pyrotechnics, and for
lyrics that deal with politics, sometimes controversially. As the ring cycle
ends in the destruction of Valhalla and the end of the reign of the Gods, there
are some big metaphors at work that would seem to resonate and run parallel to
what this group is doing already. Here’s a shot from one of their shows.


10_03_2010_g2

Many metal musicians possess incredible technical facility. These bands often feature songs in odd time signatures and with complicated
fingerings, and the groups frequently possess a cohesiveness that leaves pop bands
in the dust. Which is to say: they have the chops to handle Dick Wagner’s
scores, no problem. They could probably even find a real dwarf to handle the
Alberich role (the creator of the all-powerful ring) which would mean we
wouldn’t have to imagine that a big actor/singer is actually small.

Has no one done this already? Have I just not heard of it?
Or are some of these bands sort of already doing it (or something very like it)
piecemeal, episodically—picking out random scenes and moments from a parallel
mythology? They’re definitely swimming in the same waters. Many of these groups
place a high value on their integrity; with such non-pop looks and themes they
aren’t about to get radio play, so their “authenticity” and being true to their
genres is of prime importance. That might be why no one has risked the ridicule
of a high-concept piece should it fail or be unpopular with their fans. Or
maybe they feel that tackling an old opera is superfluous, as they are doing
the same thing, but with original music, and updated imagery.

[See also: 12.12.09: Art Funding or Arts Funding]