I [did more research] and found a whole other self buried below the limbic system, below the hindbrain, below even the cerebellum. It lived in the brain stem and it was older than the vertebrates themselves. It was self-contained: it heard and saw and felt, independent of all those other parts layered overtop like evolutionary afterthoughts. It dwelt on nothing but its own survival. It had no time for planning or abstract analysis, spared effort for only the most rudimentary sensory processing. But it was fast, and it was dedicated, and it could react to threats in a fraction of the time it took its smarter roommates to even become aware of them.
And even when it couldn’t—when the obstinate, unyielding neocortex refused to let it off the leash—still it tried to pass on what it saw, and Isaac Szpindel experienced an ineffable sense of where to reach. In a way, he had a stripped-down version of the Gang in his head. Everyone did.
I looked further and found God Itself in the meat of the brain, found the static that had sent Bates into rapture and Michelle into convulsions. I tracked Gray Syndrome to its headwaters in the temporal lobe. I heard voices ranting in the brains of schizophrenics. I found cortical infarcts that inspired people to reject their own limbs, imagined the magnetic fields that must have acted in their stead when Cruncher tried to dismember himself. And off in some half-forgotten pesthole of Twentieth-century case studies—filed under Cotard’s Syndrome—I found Amanda Bates and others of her kind, their brains torqued into denial of the very self. “I used to have a heart,” one of them said listlessly from the archives. “Now I have something that beats in its place.” Another demanded to be buried, because his corpse was already stinking.
There was more, a whole catalog of finely-tuned dysfunctions that Rorschach had not yet inflicted on us. Somnambulism. Agnosias. Hemineglect. ConSensus served up a freak show to make any mind reel at its own fragility: a woman dying of thirst within easy reach of water, not because she couldn’t see the faucet but because she couldn’t recognize it. A man for whom the left side of the universe did not exist, who could neither perceive nor conceive of the left side of his body, of a room, of a line of text. A man for whom the very concept of leftness had become literally unthinkable.
Sometimes we could conceive of things and still not see them, although they stood right before us. Skyscrapers appeared out of thin air, the person talking to us changed into someone else during a momentary distraction— and we didn’t notice. It wasn’t magic. It was barely even misdirection. They called it inattentional blindness, and it had been well-known for a century or more: a tendency for the eye to simply not notice things that evolutionary experience classed as unlikely.
I found the opposite of Szpindel’s blindsight, a malady not in which the sighted believe they are blind but one in which the blind insist they can see. The very idea was absurd unto insanity and yet there they were, retinas detached, optic nerves burned away, any possibility of vision denied by the laws of physics: bumping into walls, tripping over furniture, inventing endless ludicrous explanations for their clumsiness. The lights, unexpectedly turned off by some other party. A colorful bird glimpsed through the window, distracting attention from the obstacle ahead. I can see perfectly well, thank you. Nothing wrong with my eyes.
This is a terrific summary of what sounds like a stunningly comprehensive treatment of the material history of Europe and its effect on society.
A good starting point might be what is left out: politics, wars, dynasties, religion, ideology, peoples. The index of maps & graphs gives the reader a taste of what is to come: “Budget of a mason’s family in Berlin about 1800”; “Bread weights and grain prices in Venice at the end of the sixteenth century”; “French Merchants registered as living in Antwerp, 1450-1585”.
Reading Braudel one gets the impression of an infinite curiosity at work for decades, mining every source for the tiniest piece of data, and then magisterially combining everything together. Despite fairly brutal editing these notes are still way too long, and yet they struggle to capture even a tiny part of the detail and depth that the book contains.
Vol. I: The Structures of Everyday Life
The first volume aims to illuminate every aspect of material life: agriculture, food, dress, housing, towns, cities, energy, metals, machines, animals, transportation, money. Braudel’s goal is not simply to examine each of these in isolation, but to show how all the elements of material life interact to form cultures, economies, systems of governance, power structures, long-term cycles or trends. He comes remarkably close to achieving this absurdly ambitious task. For people into worldbuilding this tome is pure gold. The first volume also has the greatest general appeal: unlike the other two which are somewhat esoteric, I think this is a book everyone will love.
This is how my brain has worked as long as I can remember. It’s neat to learn that there’s finally some research on the subject 🙂
And here’s a well-written first-hand account of aphantasia (although the author’s experience differs from mine; I have plenty of mental audio, and to some extent other senses):
I have never visualized anything in my entire life. I can’t “see” my father’s face or a bouncing blue ball, my childhood bedroom or the run I went on ten minutes ago. I thought “counting sheep” was a metaphor. I’m 30 years old and I never knew a human could do any of this. And it is blowing my goddamned mind.
If you tell me to imagine a beach, I ruminate on the “concept” of a beach. I know there’s sand. I know there’s water. I know there’s a sun, maybe a lifeguard. I know facts about beaches. I know a beach when I see it, and I can do verbal gymnastics with the word itself.
But I cannot flash to beaches I’ve visited…I have no capacity to create any kind of mental image of a beach, whether I close my eyes or open them, whether I’m reading the word in a book or concentrating on the idea for hours at a time—or whether I’m standing on the beach itself.
Hi! I’ve been staying the hell away from Facebook for the last month or so, and feeling the itch to share things again. Which in the absence of FB means sharing here, which is a much saner place to share stuff anyway 🙂
Lots more info, and interactive charts, at this excellent blog post on the subject.
I just posted about The Dagger and the Coin, but I realized I should do a find on my books directory to see what else I’ve read lately:
Cory Doctorow’s Walkaway was awesome, probably my favorite thing he’s written in a decade or so.
I may have already posted about Jo Walton’s Among Others, a sort of magical magical realist novel, but just in case I haven’t: it’s a wonderful read, especially for anyone who grew up on science fiction.
Jeff VanderMeer’s Southern Reach Trilogy was spectacular, the best experimental fantastic fiction I’ve read in years. I had trouble clicking with his new one, Borne, though. I’ll certainly give it another try at some point.
I’ve just started Yoon Ha Lee’s Ninefox Gambit; so far it’s a dense, imaginative tilt-a-whirl of a book.
Just finished Daniel Abraham’s series, The Dagger and the Coin. Excellent stuff from the author of The Long Price Quartet. Both have excellent world-building; it’s fantasy that owes almost nothing to Tolkien, which is always refreshing. This one’s particularly fascinating, because it looks at the effects of economic innovation in a largely pre-technological world (very roughly medieval-era). Recommended.
Robert Charles Wilson: Spin. https://www.goodreads.com/book/show/910863.Spin
Geoff Ryman: Air: Or, Have Not Have. https://www.goodreads.com/book/show/206662.Air
Karl Schroeder, Lady of Mazes. https://www.goodreads.com/book/show/34009.Lady_of_Mazes
All three of those are absolutely terrific, and came from this wonderful 2013 article by Jo Walton: “Eight Books From the Last Decade That Made Me Excited About SF“. Every book on that list that I’ve read has been top-notch. It’s the best sci fi reading list I’ve encountered in a very long time, and I’m having a lot of fun working my way through it. She’s done a similar one for fantasy, too, which started me rereading Daniel Abraham’s Long Price Quartet, which is great in a totally different way.