‘Tower Music,’ From Eiffel Tower, by Joseph Bertolozzi – NYTimes.com

[A man after my own heart. Video on the page. -egg]

PARIS — The composer Joseph Bertolozzi, bearing a meditative look, stood with his feet apart in front of a door frame inside the Eiffel Tower. Then, 187 feet above the Champs de Mars garden, he pulled a latex mallet from his tool bag and hit the frame hard, and then softer, with agility and rhythm.

“That one was beautiful!” said Paul Kozel, a sound engineer, who recorded the dull thuds.

Mr. Bertolozzi, who lives in Beacon, N.Y., is in Paris harvesting sounds for what he calls a “public art installation,” a musical project that has taken him, Mr. Kozel and a team of seven to one of the most visited monuments in the world.

His mission is to “play the Eiffel Tower” by striking its surfaces, collecting sounds through a microphone and using them as samples for an hourlong composition called “Tower Music.” He eventually hopes for a live, on-site performance of the work to celebrate the tower’s 125th anniversary next year.

via ‘Tower Music,’ From Eiffel Tower, by Joseph Bertolozzi – NYTimes.com.

13 Ingenious Treehouses That Go Out on a Limb

Living in a treehouse is indisputably incredible. Sure, you might be roughing it a little bit, considering theres a climb and the trees are flammable thus limiting your cooking capabilities. But the views and the experience are unmatched. From the antique to the futuristic, here are some of the most beautiful tree-borne homes weve ever seen. If these images fill you with wanderlust, take note: some of these houses are also hotels.

via 13 Ingenious Treehouses That Go Out on a Limb.

Rate Of Return: Woolwich, 4GW and Kayfabe.

[Very interesting essay. Recommended. -egg]

One of the consistent myths of pro wrestling is the concept of the “face” and the “heel” – the good guy and the bad guy. Within the consensus reality of the Kayfabe, these are mortal foes… right up to the point where one or the other makes a “heel-face turn”, the good guy becoming the bad or vice versa. Like, say, the ‘heroic rebels’ of the CIA-sponsored Mujahideen becoming the post-9/11 enemy… But in reality, they’re still just performers in a symbolic, mythical struggle. Whether they consciously co-operate or not, both sides need the struggle in order to continue their identity, to define their reality.So, again – who profits? Those invested – emotionally, financially – in the game, on both supposed sides. The extremists; the governments who seek any excuse to cow the populous, to keep every single person scared and surveilled; the radicals who want to tear down anything that doesn’t look exactly like their fantasy world be it Dar-al-Islam or Rule Britannia; the corporations that sell the weapons to them all or, like Monsanto, rely on the distraction to conceal their agenda. And, by pure coincidence, those who want to tame the internet, to stop those who don’t want to suffer for their gain from finding out more about the truth behind the spectacle. Anyone who wants to play another game, wants a future of co-operation not competition, strength for all instead of profit-and-loss… are just collateral damage for the drones and the thugs.

via grinding.be » Blog Archive » Special Guest Post from the UK: Cat Vincent brings us “Rate Of Return: Woolwich, 4GW and Kayfabe.”.